33.9 x 45.6 cms
"A boldly engraved map [...] showing Korea as an island, and combining elements of Barbuda's map of China and Texeira's map of Japan (both published earlier by Ortelius).
Amongst the decorative features a sea monster, deer on the North American coast, Dutch and Japanese ships, and a Chinese wind-blown land- vehicle can be seen. A scene in a panel on the right shows an ancient Japanese torturing technique [actually shown is the crucifixion of Christians].
The Mercator/Hondius/Jansson series of atlases was published in various European language versions. [...]. Although the face of the map remains constant the text on the reverse is, of course, translated and provides a fascinating insight into early European information of foreign and exotic countries. The text for this map describes the climate, national features, inhabitants and economy of China [ verbatim from the 1636 english edition ]:
'In every Mechanick art, and manifacture they are so exceeding skillfull and cunning, that their wockemanship seemeth rather to be made by nature, then by the hand of men... The Portugalls report many straynge things of the subtilitie of their spirits, among the rest, which is most to be wondered at, they have wind-chariots or wagens with sailes and know how to steere and governe them with such dexteritie, that in a short time they can carrie themselves where they please...'
(see left hand side of the map)"
"Jodocus Hondius the Elder, one of the most notable engravers of his time, is known for his work in association with many of the cartographers and publishers prominent at the end of the sixteenth and the beginning of the seventeenth century.
A native of Flanders, he grew up in Ghent, apprenticed as an instrument and globe maker and map engraver. In 1584, to escape the religious troubles sweeping the Low Countries at that time, he fled to London where he spent some years before finally settling in Amsterdam about 1593. In the London period he came into contact with the leading scientists and geographers of the day and engraved maps in The Mariner's Mirrour, the English edition of Waghenaer's Sea Atlas, as well as others with Pieter van den Keere, his brother-in-law. No doubt his temporary exile in London stood him in good stead, earning him an international reputation, for it could have been no accident that Speed chose Hondius to engrave the plates for the maps in The Theatre of the Empire of Great Britaine in the years between 1605 and 1610.
In 1604 Hondius bought the plates of Mercator's Atlas which, in spite of its excellence, had not competed successfully with the continuing demand for the Ortelius Theatrum Orbis Terrarum. To meet this competition Hondius added about 40 maps to Mercator's original number and from 1606 published enlarged editions in many languages, still under Mercator's name but with his own name as publisher. These atlases have become known as the Mercator/ Hondius series. The following year the maps were reengraved in miniature form and issued as a pocket Atlas Minor.
After the death of Jodocus Hondius the Elder in 1612, work on the two atlases, folio and miniature, was carried on by his widow and sons, Jodocus II and Henricus, and eventually in conjunction with Jan Jansson in Amsterdam. In all, from 1606 onwards, nearly 50 editions with increasing numbers of maps with texts in the main European languages were printed."
(Moreland and Bannister)